Art Blakey and the Jazz Messengers I Remember Clifford Sheet Music Pdf

Benny Golson composed "I Remember Clifford" for his "friend forever," Clifford Brownish. They'd been colleagues in Tadd Dameron's orchestra in 1953 and had played together on Philadelphia's thriving jazz scene in the early fifties. This best known of jazz elegies was premiered in January 1957, six months after Brownie'southward tragic death in a car accident on the Pennsylvania Turnpike. At the time, Golson said, "I worked with this melody for three weeks, trying to get a melody that would exist reminiscent of [Clifford] and the style he played…I was very moody while composing this song considering with each note I wrote, I realized that it was to someone who had gone— my friend forever."

Lee Morgan and Benny Golson; photograph past Francis Wolff

Lee Morgan is seen here playing "I Remember Clifford" in a 1958 performance by Art Blakey and the Jazz Messengers. Golson harmonizes with Morgan on tenor saxophone. He and Lee, another Philadelphian, were front-line partners in one of the best known editions of the Messengers. Golson was merely with the group for a few months, but its one album, Moanin', bodacious the quintet a hallowed status amid the succession of bands led past Blakey. It was the drummer's first Bluish Annotation release in three years and is widely regarded every bit quintessential hard bop. Four of the album's six tunes became jazz standards, including the gospel-infused title track by pianist Bobby Timmons, and Golson's "Are You Real," "Along Came Betty," and "Blues March."

While Golson'due south tenure with Blakey was cursory, his association with Morgan was more extensive. They played together with Featherbrained Gillespie's orchestra, which the trumpeter joined in 1956 at the age of 18. (Golson was 27.) Immediately afterwards, Morgan began the prolific recording activity that characterized, just for a period of inactivity in the early lx'due south, his entire career. Lee's first dates were made for Blue Note in 1956 and '57, and while Golson didn't appear with him until his fourth session, his compositions comprise the bulk of pieces played by Morgan on his commencement three Blue Notation dates.

Clifford Dark-brown was killed on June 26, 1956. Golson's threnody for the love Credibility was commencement recorded by Donald Byrd with Gigi Gryce and the Jazz Lab Band on January xiii, 1957. Morgan was the next trumpeter to commit it to record on March 24, which was Golson's first appointment with him. Giddy Gillespie hailed Brownie as "the belatedly genius of the trumpet" before playing "I Call up Clifford" at the Newport Jazz Festival on July 6, 1957. Later on released on Verve as Dizzy Gillespie at Newport, information technology stands every bit one of Gillespie's most moving performances and a landmark in jazz history, non least for the hush it brought over the Newport oversupply. Dinah Washington, who'd recorded with Brownish and Roach in 1954, sang Jon Hendricks'southward lyricized version of the memorial for Brownie, "a rex uncrowned," later that year. Since then, it's been recorded over 300 times. A 1960 version by The Jazztet, the group co-founded by Golson and Fine art Farmer, is oft cited as definitive for the lyrical dazzler of Farmer's trumpet playing.

Here's a performance by Roy Hargrove with Golson's Sextet that ranks with the all-time of all time and supports the view of Hargrove as a fellow with quondam soul sensibilities. It was played in 2000 at JazzBaltica. The late Mulgrew Miller is at the pianoforte. At its determination, Benny says "Thanks, Roy," with obvious conviction.

In his closing comments, Golson mentions an earlier advent he'd made at JazzBaltica with an assortment of special guests including Art Farmer, Toots Thielemans, Kenny Kirkland, Milt Jackson, and Max Roach. Jackson was the featured soloist on "I Call up Clifford" on that occasion. He'd first recorded the tune on Numberless' Opus, a 1958 session that also featured Golson and Farmer. Golson had conceived of the memorial as a vehicle for trumpet and was personally reluctant to solo on information technology for many years, but over time he'south go one of its foremost interpreters including here on the German Baltic.

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Source: https://digital.nepr.net/music/2014/07/10/i-remember-clifford/